Tag Archives: Critical Mass

Arts

It Just Kinda Dawned on Us

..and the sun keeps comin’ up…

This venture has been a long and healthy haul – and now our future is even more robust. When we (my Co-Publishers Tom Martin, Art Shechet and I) first launched UnderMain in 2014, we were simply having fun. We enjoyed uncovering what we thought was hidden in the shadows or living under the main thoroughfares of the then-present consciousness of art and culture in our region.

That was the way this all started: With caffeine and laughter, many morning meetings turned to their adjacent afternoons full of new ideas. Sitting at the same table at Le Matin Bakery, one Wednesday after the next, we came up with the title of our ad-free, visually rich digital magazine: UnderMain. We decided then that its primary mission would be to shine a light on artists, writers, gallerists, creative spaces and ideas, collectors, curators, and critics who work hard everyday and struggle to be heard and seen.

I am not sure why we were searching the darkened spaces or if we just felt there was not enough visibility in print publications, but no matter – because now we’ve flipped the switch in this little digital space. Whether it was passion, fatigue, frustration, ideation, or the simply act of creating, we had it and found enough of it mirrored in you to thrive all these years.

So, as your UMPrez, I am delighted to announce that UnderMain has received a three-year commitment from the Great Meadows Foundation (GMF) to continue our programming.

It should be noted that the generosity of the Great Meadows Foundation is supported by a near equal match of anonymous donations and in-kind contributions from so many. The writing, management, coordination, editing, curation of our content is brought to you by an undying commitment from our contributors and editors, many of whom work in an entirely philanthropic manner. Together we have remained consistent and fresh over the last five years and, with this three-year commitment, all that we have done means all the more there is to do.

As I elaborated in our proposal to the Great Meadows Foundation, UnderMain must now move beyond our light-and-shadows naiveté into a more prominent place of advancing the level of discourse in Kentucky about visual art and culture. These three programs are at the heart of that effort:

Studio Visit Series 

In 2014, we ventured out and into area artists’ studios. I was privileged to write and publish a few of those first visits  (“Ron Isaacs: Shelf Life”and “Dark Dualities: David Kenton Kring”) and now I spend more time connecting writers with artists and publishing their stories. There comes with that a certain reward, a specific joy in connecting two individuals who learn from one another as these writers and artists did: Keith Banner visits Michael Goodlett and Jim Fields visits Skylar Smith. Jim’s own words might say it best:

I began writing exclusively for UnderMain three years ago with a primary focus on artists, their work and what inspires them. For me, ‘the blank page is both exhilarating and intimidating and, like creating a work of art, writing is a process that requires both vision and revision. It is about making certain choices, being aware of various connections, and synthesizing information in order to give my ideas shape and meaning. Working with artists in their studio settings requires implicit mutual confidence and trust, with equal vulnerability, and being ever mindful to not be blinded by the obvious. I am honored to have been selected as one of the writers to participate in Under-Main’s Studio Visits Series under the auspices of The Great Meadows Foundation. While I am grateful for the stipend I received, my real reward for writing ‘A Studio Visit with Skylar Smith: Her Story’ came from the artist herself when she emailed me shortly after the article was published: “You gave voice to things I have not been able to articulate, yet resonate for me—thank you for this.”

In 2019, with our first funding commitment from the GMF, our focus has narrowed to Kentucky artists and we have thus far published eight studio visits, those above and the following: Miles Turner visits Mia Cinelli, Emily Elizabeth Goodman visits Melissa Vandenberg, Hunter Kissel visits Harry Sanchez, Jr. , Miriam Keinle visits Lori Larusso, Sso-Rha Kang visits Carlos Gamez De Francisco, and Natalie Weis visits Vian Sora.

Upcoming is a visit by the Speed Museum’s Miranda Lash with Louisville artist John Brooks, Paul Michael Brown’s visit with Lexington artist Robert Beatty, and Cooper Gibson’s visit with James Lyons.

In 2020, UnderMain will organize thirteen studio visits with Kentucky artists and our writers will not only be paid a stipend for their work, but – at the request of Sso-Rha Kang – I have included a small amount for travel expenses as I have always tried to connect artist and writer from different areas of this region.

Critical Mass Symposium

In 2016, we launched the Critical Mass Series, a symposium intended to advance critical thinking in the arts and promote further discussion about Kentucky’s position as it relates to the broader art community.

Critical Mass I  took place in 2016 at the University of Kentucky Art Museum and was moderated by Stuart Horodner. Then in 2018, we followed that with Critical Mass II at KMAC with Joey Yates moderating – fully intending the symposium as a biennial. The discussions however, generated such enthusiasm that it led us to rethink that idea – and in 2019 Matt Distel of The Carnegie in Covington held Critical Mass III.

Critical Mass IV is being planned for March of 202o and will feature the GMF Critic-in-Residence Koan Jeff Baysa.  So, please watch our site for upcoming details.

Critical Reviews of Local Exhibitions 

Since inception, we have held this as one of our highest priorities and, at year end, we are encouraged by the impact these reviews have had. They have exposed the curatorial work of many institutions in Kentucky and the Central Kentucky region, including: The Moreman Gallery and KMAC in Louisville; 21c Museum Hotel, Mary Rezny Gallery, Institute 193, and the University of Kentucky Art Museum in Lexington; the Solway Gallery in Cincinnati, Ohio; and the Kleinhelter Gallery in New Albany, Indiana.

Engaging critical writing from both within and outside of our state has helped to advance the level of critical discourse about contemporary art and its role in defining our regional identity. With the support of the Great Meadows Foundation, UnderMain will increase the publication of these reviews to twenty per year with an increase in pay to our writers.

Thanks to all who support our endeavor. The UnderMain concept is growing, and with new programming like UMRadio – a recurring feature of the weekly program Eastern Standard on WEKU, a local NPR station, and UMDingers, a surprise treat coming in 2020 – we continue to aim higher. And, when that big ball hits the top, we’ll move into the dawn of the dusk knowing full well how to light the way.

Arts

Critical Mass: From III to IV

In March of this year, UnderMain held its third panel discussion of the Critical Mass Series. The series was founded and is undertaken annually as a way to examine the role that criticism plays for Kentucky artists and institutions. The co-founders and regional partners believe that critical discourse can help us engage in a more meaningful dialogue regionally and with the national and international contemporary art world.

Collaboration is vital to the Critical Mass Series and as UnderMain hosts the series in a different part of Kentucky each year, we seek out new partners. Critical Mass I (2016) was conducted in partnership with the University of Kentucky Art Museum in Lexington, while Critical Mass II (2017) was held at KMAC in Louisville. This year, we brought in The Carnegie Center in Covington with Exhibitions Director Matt Distel moderating. 

In keeping with his curatorial style known as Open Source, Distel invited five artists (Harry Sanches Jr., Joey Versoza, David Wischer, Lindsey Whittle, and Sky Cubacub) to join three curators/writers working in the region. CMIII:In The Mid (2019) specifically addressed the topic of regionalism and its impact on artists and writers working in the mid-West. Distel set out to ask: What is a healthy arts discourse and does it exist in this region? What are the practical concerns for artists that are working outside of major arts centers? What role does art criticism and critical dialogue in general play in the careers of “regional” artists?

The symposium featured The Great Meadows Foundation Critic-in-Residence and Miami-based curator, Natalia Zuluaga, who shared some of what she learned during her March residency in Kentucky where she made studio visits to the studios of more than thirty artists.  Natalia was joined by Valentine Umansky, Curatorial Fellow at the Contemporary Art Center, Cincinnati; Annie dell’Aria, Assistant Professor at Miami University and writer for AEQAI; and Sarah Rose Sharp, Detroit-based activist and multi-media artist and writer for HyperAllergic, Art in America, Flash Art, and Sculpure Magazine.

For those of you who could not join us, below is an interview with Christine Huskisson and Matt Distel on the WEKU current affairs program Eastern Standard explaining a bit about The Critical Mass Series, as well as a short video of the symposium itself. We hope you enjoy.

Planning for Critical Mass IV is underway. More on that soon.

Interview with Christine Huskisson, co-founder and curator of The Critical Mass Series and Matt Distel, moderator of CMIII:In The Mid.

Video and Audio

© 2019 UnderMain, Inc.

ALL RIGHTS RESERVED

UnderMain, Inc. would like to acknowledge the following for helping us organize Critical Mass III and producing this short video:

Curation and Administration

Christine Huskisson, Co-Founder and Curator of The Critical Mass Series

Tom Martin and Art Shechet, Co-Founders of The Critical Mass Series

Matt Distel, Moderator of CMIII and Exhibitions Director of The Carnegie Center

Savannah Wills, Coordinator of CMIII and Chellgren scholar

Julien Robson, Advisor to UnderMain for the CM Series and Director of the Great Meadows Foundation

The staff at The Carnegie Center in Covington, Kentucky

Artists

Due to audio complications, the artists discussion was not properly recorded.

We value highly the visual content and the sharing of artistic practices for discussion purposes.

Thanks goes out to:

Harry Sanches Jr. 

Joey Versoza

David Wischer

Lindsey Whittle

Sky Cubacub

Panelists

Natalia Zuluaga, Miami-based Independent Curator and Critic-in-Residence with the Great Meadows Foundation

Valentine Umansky, Curatorial Fellow at the Contemporary Art Center, Cincinnati

Annie dell’Aria, Assistant Professor at Miami University and writer for AEQAI

Sarah Rose Sharp, Detroit-based activist and multi-media artist and

writer for HyperAllergic, Art in America, Flash Art, and Sculpure Magazine

John Williams, Principal Photographer / Producer SoundART Management™

HD PERFECT™ VIDEO & PHOTO

 

 Great Meadows Foundation is a grant giving foundation, launched in 2016 by contemporary art collector and philanthropist Al Shands. Named for the home that Al and his late wife Mary created, the mission of Great Meadows Foundation is to critically strengthen and support visual art in Kentucky by empowering our community’s artists and other visual arts professionals to research, connect, and participate more actively in the broader contemporary art world. (www.greatmeadowsfoundation.org)

The Carnegie Center provides an extraordinary venue for the arts and arts education made possible through the generosity of individuals, private foundations and businesses in our community. They receive operating support from the ArtsWave, the Kentucky Arts Council, The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation and Kenton County Fiscal Courts.

  

 

 

 

 

Published by UnderMain, Inc., P.O. Box 575, Lexington, Kentucky 40388

Arts

Make your FREE reservation now at reservations@under-main.com

UnderMain invites you to attend Critical Mass III: In The Mid March 15th & 16th. In its third iteration, after being hosted in Lexington and Louisville, the conversation will now move to Northern Kentucky to be held at The Carnegie Center in Covington. The Critical Mass Series is based in a common desire to create a platform for critical thinking in the arts: including artists, art critics, and curators.

CMIII: In The Mid will center on the experience of art professionals living and working outside of the major art centers for contemporary art. The panel-community discussion will also examine the role that written criticism plays in engagement of regional artists and institutions in a national and international dialogue.

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Natalia Zuluaga, Featured Panelist and second Critic-in-Residence for the Great Meadows Foundation and INhouse.

UM is partnering with The Great Meadows Foundation and INhouse and their second Critic-in-Residence, Natalia Zuluaga. During her residency she will make studio visits to a number of artists in the region as part of the foundation’s goal to help strengthen and support the critical growth of Kentucky artists.

Matt Distel, the Exhibitions Director at The Carnegie and moderator of the event, has also invited the following panelists to attend: Valentine Umansky, Annie Dell’Aria, and Sarah Rose Sharp. The focus of CMIII: In the Mid is Regionalism. Matt states that the aim is to discuss questions like ‘What is Regionalism and how does it inform opportunities for artists and writers?’ ‘What are the practical concerns for artists that are working outside of major arts centers?’ And ‘What role does art criticism (and critical dialogue in general play) in the careers of “regional” artists?

This event will bring forth ideas and topics relevant to anyone who values cultural critique with a focus on practical outcomes. The format promises interaction and discussion punctuated with artist presentations, accompanied by light bites and brunch cocktails.

UnderMain President, Christine Huskisson, thinks that the event will help build more meaningful and productive connections between people in the arts whether that be artists, curators, critics, or collectors. ‘My hope is that the Critical Mass Series, now in its third year, could become a space where we can discuss critical topics relevant to our growth as artists and develop a collective voice strong enough to be heard on the larger stage of the contemporary art world.’

Matt Distel believes the time is critical, ‘With any event of this nature we are really hoping to increase the level and, frankly, quantity of critical discourse around the arts. It’s such a vital component to the overall health of an arts community to receive and engage in dialogue around art projects and exhibitions. As mainstream news outlets drift further away from that sort of coverage, it feels like a really crucial time for the artists, writers, curators, collectors, galleries and administrators to ask what we want from the art critical conversation in this region.’

CMIII: In The Mid will take place on Saturday, March 16th at The Carnegie in Covington and will run from 10:00 AM – 2:00 PM. We hope you will join us the night before on March 15th for gallery opening of Open Source, featuring artist Sky Cubacub.

Make a reservation for free attendance at reservations@under-main.com. The Carnegie is located at: 1028 Scott Blvd Covington, KY 41011. You can reach them at their phone number:  859-491-2030.

Meet the Featured Artists:

Sky Cubacub is featured at The Carnegie’s Gallery opening March 15th. Cubacub first dreamed of Rebirth Garments in high school when they didn’t have access to buy a binder. Rebirth Garment’s mission is to create gender non-conforming wearables and accessories for people on the full spectrum of gender, size and ability.

“I am especially interested in Rebirth Garments being accessible to queercrip youth and I’m working on creating a program for making free/reduced priced garments for people in need… In my practice, the intensive handwork makes the process the most important part and gives me inspiration. For me, everyday is a performance where I bring my body as a kinetic sculpture into the consciousness if the people I interact with in passing and on a daily basis. I embody the spirit of Radical Visibility, and Rebirth Garments is my soft armor.”

http://rebirthgarments.com/#customclothes

Lindsey Whittle received a BFA, in painting, from the Art Academy of Cincinnati in 2007. She pursued a master’s degree in fashion at the Scholastic’s of the Art Institute of Chicago from 2012 – 2014, studying under “Soundsuit Artist” Nick Cave, all while maintaining her position as the Master Crafter at Kiki Magazine from 2012-2015. Presently, she co-instigates and co-coordinate unique art experiences at PIQUE art gallery and bed and breakfast.

“I am a fashion/performance artist that makes colorful transformable objects as as starting point to collaboration with others. A single piece of my work often has many applications and the work functions best when those applications are in flux. It can function as an installation, on the wall, as a sculpture or on a body etc. There are elements of exploration, change, transformation, interactivity and possibility in everything I do.”

http://www.sparklezilla.com/lindsey-m-whittle

Social Circle Site specific installation at The University of Cincinnati, Blue Ash. Found objects, enamel paint, screen print. David Wischer, 2018

David Wischer  was born in Henderson, Kentucky. He received his B.F.A. in Graphic Design from Northern Kentucky University and his M.F.A. in Printmaking from Purdue University. He has taught courses in Printmaking, Foundations Design, and Digital Art at both Northern Kentucky University and Purdue University and is currently an Assistant Professor of Digital and Print Media at University of Kentucky. Through his use of printmaking, animation, video, and sound, David melds topical humor, nostalgia and social commentary with his work. His prints and video pieces usually function as an inside joke for a generation that grew up absorbing their worldly knowledge through television and the internet. David’s work has been exhibited nationally and internationally, and he has been included in many private and public collections. His work is currently on view in The Carnegie’s Exhibition, ‘Open Source.’

http://davidwischer.com/

“I Am The LEAST Racist Person You Have Ever Met” – Harry Sanchez Jr,  2018

Harry Sanchez Jr. was born in El Paso, Texas in 1980. He was spent much of his life on the border with Mexico, bust he also lived in many parts of the country doing menial jobs such as working in construction and the restaurant industry, providing maintenance to a golf course and ushering at a movie theatre. His mobility allowed him to experience and understand life and this society from the perspective of people from different social classes and races. In his earliest works, he used the same tools and techniques he learned as a cake-decorator, but replaced the icing with oil paint. He squeezes oil with a pastry bag over the canvas to explore the relationship between painting, sculpture and abstraction. In his most recent work, Harry gas used installations, prints, and other media to make artistic statements from the position of a racialized minority in the United States. He uses his artwork to comment on global matters such as the torture of prisoners at Abu Ghraib, the double-identity of whistleblowers who are hailed as heroes or condemned as traitors, and to denounce the separation of families following the deportation of undocumented migrants.

http://harrysanchezjr.com

Rose (for MM), 2015. Wilted rose sprayed with a mist of Balenciaga Rosabotanica.

Joey Versoza was born in Michigan and currently resides in Northern Kentucky. He has been a professor at the Art Academy of Cincinnati since 2013, and received a BFA from the same institution in 2000. He has shown several solo exhibitions at institutions such as the Contemporary Arts Center in Cincinnati, and has shown in group exhibitions in Chicago, Baltimore and Louisville- to name a few. Speaking on his work he said, “It kind of exists as both; as a question and then also as an affirmation. His show, This is It at the Contemporary Art Center in 2013, was in part about “challenging the idea of masculinity in the midwest.”

Make a free reservation for CMIII at reservations@under-main.com

About UnderMain: UnderMain is a Kentucky 501(c)(3) dedicated to arts and cultural affairs in the region. Our vision is to become a digital meeting space that empowers Kentucky creatives by presenting arts of all kinds, community issues, controversies, contests, events, people, and critical reviews. UM is serious and fun. We love playing in the digital sandbox and presenting vivid content to you, ad-free, as we offer support to some of Kentucky’s most talented writers, artists, and performers.

About the Great Meadows Foundation: The Great Meadows Foundation is a grant giving foundation, launched in 2016 by contemporary art collector and philanthropist Al Shands. Named for the home that Al and his late wife Mary created, the mission of Great Meadows Foundation is to critically strengthen and support visual art in Kentucky by empowering our community’s artists and other visual arts professionals to research, connect, and participate more actively in the broader contemporary art world.

About The Carnegie: The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center.  More information about The Carnegie is available at www.thecarnegie.com or by calling (859) 491-2030. The Carnegie is supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign. The Carnegie receives ongoing operating support from the Cincinnati Wine Festival, The Greater Cincinnati Foundation, Kenton County Fiscal Courts, the Kentucky Arts Council and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation.

About the Featured Critic: Between 2007 and 2012 Natalia Zuluaga was the manager of foundation programs at CIFO (Cisneros Fontanais Art Foundation) where she managed the foundation’s core programs, and from 2016 through 2018 she was Artistic Director of the ArtCenter/South Florida, where she developed exhibitions, residency programs, artist development initiatives, and adult education programs. Since 2014 she has been the co-director of [NAME] Publications, a non-profit press and cultural office, and most recently she launched and is the co-editor of the bilingual online journal Dispatches (www.dispatchesjournal.org).

Savannah Wills is a Chellgren Fellow and senior at the University of Kentucky. Graduating with Bachelor Degrees in Art History and Arts Administration in Fall 2019, she previously coordinated Critical Mass II in 2018, and will be working with Under Main again to help coordinate Critical Mass III.