In her opening lines, the author writes:
Swoon makes magic.
Swoon stirs souls.
The world needs more Swoon.
Cynthia Kukla’s thesis is that Swoon utilizes four strategies in her artistic practice to construct objects/installations/performances that succeed: her ability to draw, her willingness to bring her work to the streets, using just about any material to do so, and her activist agenda.
Swoon: The Canyon: 1999-2017 was curated by CAC’s Chief Curator, Steven Matijcio and was organized by the Contemporary Arts Center of Cincinnati.
On several occasions, we have partnered with the Cincinnati-based publication, AEQAI, which seeks to fill the void in the Greater Cincinnati region for critical discourse. The journal offers articles to invigorate the imagination and thought of its readers while stimulating artists and curators to produce better artworks and exhibitions.
UnderMain, Inc. – a Kentucky-based 501 (c) 3 – is relatively new to the game and we appreciate the collaborative spirit of Daniel Brown, AEQAI’s Chief Editor, a leader in the realm of art criticism.
Say What? What is AEQAI?
ÆQAI (pronounced ‘I’ as in ‘bite ‘ and ‘qai ‘ as in ‘sKY’ ) is a Cincinnati-based e-journal for critical thinking, review and reflective prose on contemporary visual art. The word ‘ÆQAI’ was selected as a mispelling from a reprint of Livy’s text for the ‘Aequi.’ The Aequi were the peoples that Lucius Quintus Cincinnatus of ancient Rome conquered upon his famous brief tenure as a ‘temporary’ dictator. He crushed their rebellion and then reintegrated them into the burgeoning empire. It is a playful analogy to the artist community since it implies the inevitable incorporation of the avant garde into mainstream culture. We creatives are the Aequi. – from the AEQAI website.